MONOGRAPHS
- Sa through Si
The books
in this section are monographs by individual photographers. The books
are available through our association with Amazon.com If you are interested
in a book that is not available through Amazon.com, we most likely have
an alternative source or a copy in our collection that you may inquire
about. NOTE: The prices of the books listed on this web site are the publishers
list prices. Most books are available significantly
less than the posted list price.
The listing
here is alphabetical by the photographer's last name.
A
B C D
E F G
H I J
K L Ma
Mo N O
P Q R Sa
Sk T U
V W X Y
Z
|
|
|
|
SAHEL:
The End of the Road,
Sebastião
Salgado
2004, University of Chicago Press
11.25" x 11.25", 160pp
List price: $45.00
|
This earliest complete work became a template for
his future photographic projects about other afflicted people around
the world. Since then, Salgado has again and again sought to give
visual voice to those millions of human beings who, because of military
conflict, poverty, famine, overpopulation, pestilence, environmental
degradation, and other forms of catastrophe, teeter on the edge
of survival. Beautifully produced, with thoughtful supporting narratives
by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first
U.S. edition brings some of Salgado's earliest and most important
work to an American audience for the first time. Twenty
years after the photographs were taken, 'Sahel: The End of the
Road ' is still painfully relevant. Read
more about this book |
|
Workers:
An Archaeology of the Industrial Age
Sebastião
Salgado
1993, Aperture
13.25" x 10.11", 400 pgs.
List price: $100.00
|
"More
then those of any other living photographer, Sebastião
Salgado's images of the world's poor stand in tribute to the human
condition. Salgado defines his work as "militant photography"
dedicated to "the best comprehension of man"; over the
decades he has bestowed great dignity on the most isolated and
neglected among us-- from famine-stricken refugees in the Sahel
to the indigenous peoples of South America.
With Workers,
Salgado brings us a global epic that transcends mere image making
to become an affirmation of the enduring spirit of working men
and women. In this volume, three hundred fifty duotone photographs
form an archaeological perspective of the activities that have
defined hard work from the Stone Age through the Industrial Revolution
to the present. With images of the infernal landscape of an Indonesian
sulfur mine, the drama of traditional Sicilian tuna fishing, and
the staggering endurance of Brazilian gold miners, Salgado unearths
layers of visual information to reveal the ceaseless human activity
at the core of modern civilization.
..." |
|
Migrations:
Humanity in Transition
Sebastião Salgado
2000, Aperture
13.19" x 9.96", 432 pgs.
List price: $100.00
Used
copies available |
"First
published in April 2000, Migrations and its companion
volume, The Children, have been garnering tremendous
international attention ever since. Exhibited across the globe,
from Brazil to Paris and Germany to New York, Sebastião
Salgado's photographs continue to tour and to transform the perceptions
of those who view them. As a testament to both their power and
their relevance, a major exhibition of photographs from The
Children was mounted as part of the United Nations Millennium
Assembly in 2000." |
|
The
Children: Refugees and Migrants,
Sebastião
Salgado
2000, Aperture
13.12" x 9.78", 112 pgs.
List price: $29.95
|
"First
published in April 2000, The Children and its companion
volume, Migrations, have been garnering tremendous international
attention ever since. Exhibited across the globe, from Brazil
to Paris and Germany to New York, Sebastião Salgado's photographs
continue to tour and to transform the perceptions of those who
view them. As a testament to both their power and their relevance,
a major exhibition of photographs from The Children was
mounted as part of the United Nations Millennium Assembly in 2000." |
|
An
Uncertain Grace
Sebastião
Salgado
1995, Aperture
13.25" x 11.5"
List price: $60.00
|
Essays
by Eduardo Galeano and Fred Ritchin
"From a Brazilian mine where 50,000 mud-covered men haul
heavy bags of dirt up and down slippery ladders in search of a
stray nugget of gold, to a former lake in western Africa now swallowed
by the encroaching desert, where emaciated, starving people walk
over its surface of sand, photographer Sebastiao Salgado explores
the live of the planet's often ignored people with a critical
eye and an empathetic heart." Softbound
available |
| |
The
End of Polio: A Global Effort to End a Disease
Sebastião
Salgado 2003,
Bulfinch
10.3" x 8.42", 160 pgs. List
price: $40.00 |
"In
a world convulsed by war and hatred, the Global Polio Eradication
Initiative, begun in 1988, stands as a rare and inspiring example
of what can be done when the world works together against a common
enemy. Sebastião Salgado, known for his dedication to the
plight of the world's dispossessed in Workers (1994)
and Migrations (2000), traveled to five polio endemic
countries--Democratic Republic of Congo, India, Pakistan, Somalia,
and Sudan--to photograph the campaign to eradicate polio by 2005.
He shares those photographs here. The book also includes a substantial
essay by UNICEF writer Siddharth Dube, a comprehensive history
of the disease presented in the form of an illustrated timeline;
and information on how to help. THE END OF POLIO is an
inspiring testament to the possibility for successful cooperation
between nations and communities on levels ranging from local to
global, as well as an important volume for those whose lives have
been touched by polio." |
|
|
|
| |
Unrepentant
Ego: Self-Portraits of Lucas Samaras,
Marla Prather
2003, Whitney Museum of Art
272 pgs.
List price: $65.00 |
"Throughout
his remarkably prolific career of more than 40 years, Lucas Samaras
has built a diverse and highly textured body of work, largely
with his own image. Self-depiction is arguably the driving force
of his life's work. This book, the catalogue for a major exhibition
at the Whitney Museum of American Art, is the first to focus on
his self-portraiture.
Marla Prather surveys Samaras's career from the late 1950s to
the present, tracing his self-portraits in various mediums, including
drawings, photography, boxes, mirrored environments, and film.
There will also be an extensive, illustrated biography of the
artist, making the catalogue an essential source for scholars.
Including some 300 illustrations, Unrepentant Ego demonstrates
Samaras's critical place in art history, which he has earned by
creating provocative, multifaceted work outside the dominant trends
of his time." |
|
Samaras:
Photographs by Lucas Samaras
Lucas Samaras
1988, Aperture
9.75" x 12.5", 184 pgs.
List price: $50.00
|
Essay
by Ben Lifson
"Photographer, painter, sculptor, Lucas Samaras is one of
the most influential and provocative artists of our time. Once
again available to readers, this long out-of-print volume presents
a thorough compilation of Samaras' photographic work, beginning
with his earliest "Auto-Polaroids."
This exhaustive
body of work paved the way for a generation of contemporary
photo-artists, expanding the expressive possibilities of the
medium. Using Polaroid materials, large--sometimes life-sized--formats,
manipulated imagery, and composites, Samaras helped forge a
vocabulary employed by artists and photographers throughout
the eighties. In his most profound achievement, he adopted one
of photography's basic genres--portraiture--and used it as a
basis for an inquiry into the self, which remains unmatched
in its intensity and boundless in its ramifications. ..."
|
| |
|
|
|
Sammallahti
Pentti Sammallahti
2002, Nazraeli Press
17" x 10", 48 pp.
List price: $75.00
|
30 duotone plates.
This is an extraordinary volume of photographs by Finish photographer
Sammallahti. Each plate is presented as an individual experience
of the quite, soft light found in the far northern hemisphere.
The photographs are wide views produced with an aesthetic and
patience unique to this photographer. Second printing. Hard cover,
slipcased. |
| |
Pentti
Sammallahti,
Pentti Sammallahti
1998, Distributed Art Publishers
11.25" x 8.5", 108 pgs.
(out of print, inquire for availability) |
|
|
|
top
of page |
| |
August
Sanders: People of the 20th Century,
Susanne Lange, Gabriele Conrath-Scholl
2002, Harry N. Abrams
11.86" x 9.2", 1400 pgs.
List price: $195.00 |
"Revered
as a father of modern photography, August Sander (1876–
1964) so refined the art of portraiture that his moving images
of his fellow countrymen have been heralded both as an important
sociological document and a photographic masterpiece. But those
images make up only a portion of this deluxe seven-volume set,
which will stand as the definitive collection of Sander's considerable
achievement.
The books
include some 150 never-before-seen images and essays by leading
experts on the German photographer's work. Praising Sander's
"vision . . . his knowledge, and his immense photographic
talent," the writer Alfred Döblin said: "Those
who know how to look will learn from his clear and powerful
photographs, and will discover more about themselves and more
about others."
|
|
August
Sander: Citizens of the 20th Century: Portrait Photographs 1892-1952
1986, MIT Press
11.67" x 9.54", 512 pgs.
List price: $75.00
|
"An unobtrusive
portrait photographer who knew what he wanted from his subjects
at the onset of his career, August Sander is the photographer of
the soul and the chronicler of an age. ...
The photography
of August Sander, resounding with clarity and expressiveness, comprises
an extraordinary human document. This volume of the Masters of Photography
series includes forty-three of his portraits that reveal a vast
cross section of German society, from pastry chefs to industrialists,
and provide a provocative glance at the Weimar Republic." |
|
August
Sander: 1876-1964
August Sander
1999, Taschen America,
13.75" x 10.75", 252 pgs.
(used copies available) |
168 plates.
|
|
August
Sander: Aperture Masters of Photography
August Sander
Aperture, 1997
8.32" x 8.32", 96 pgs.
List price: $12.50
|
"The
photography of August Sander, resounding with clarity and expressiveness,
comprises an extraordinary human document. This volume of the
Masters of Photography series includes forty-three of
his portraits that reveal a vast cross section of German society,
from pastry chefs to industrialists, and provide a provocative
glance at the Weimar Republic." |
|
In
Focus: August Sander, Photographs from the J. Paul Getty Museum
August Sander
2000, J Paul Getty Museum Publications
7.64" x 6", 144 pgs.
List price: $16.95
|
"The
long life of German photographer August Sander (1876-1964) spanned
one of the most turbulent eras in his country's history. The Great
War of 1914-1918, the Weimar Republic, the reign of National Socialism,
and the horrors of World War II all left an indelible imprint
on both the man and his work. Sander, a conventional studio portraitist
who transformed himself into an avant-gardist, exemplified the
complex and sometimes contradictory nature of his time. He was
at once innovative and deeply wedded to the past, blending a progressive
vision with a traditional view of society and his craft.
The approximately
fifty plates featured in In Focus: August Sander
are some of the most striking from the Getty Museum's more than
twelve hundred pictures by the artist. They include images of
rural dwellers such as those found in Young Farmers and Farm Girls,
and other portraits including Wife of the Cologne Painter Peter
Abelen, Parliamentarianand the poignant Blind Children, Duren.
A chronological overview of Sander's life provides a factual framework
for this discussion." |
|
|
|
|
Jan
Saudek,
Jan Saudek
1998, Taschen America
12.5" x 9.25", 200 pgs.
(used copies available) |
|
| |
Realities,
Jan Saudek
2002, Arena Editions
9.75" x 12.25", 196 pgs.
(used copies available) |
"Drawing
on classical paintings, historical portraiture, and 19th-century
pornographic studio photographs, the erotic images of Jan Saudek
reveal a world of fantasy where artistic play and expression are
given free range. Using elaborate backdrops and magical costumes,
Saudek is both voyeur and participant, photographer and model,
shifting back and forth in a style that lends the term autoportraiture
new meaning. These 146 color photographs, featuring new and previously
unpublished images with Saudek's commentaries, are as much about
the artist as about the characters he creates. As Saudek states,
"I don’t have the capacity to portray other people’s
lives. I am portraying my own." "Spending time with
Saudek’s images is an unsettling experience, a roller-coaster
ride of attraction and repulsion, confirmation and confrontation." |
|
Jan
Saudek: Jubilations
Jan Saudek
1995, Rosbeek
142 pgs.
(used copies available) |
"This
second major book dedicated to Saudek's work contains photographs
that have not been published previously. With a short introduction
by Pierre Borhan, this rich production is 100% Saudek." |
|
|
|
|
Schapiro's
Hereos,
Steve Schapiro's
2007, powerHouse Books
9¾ x 11½, 151 pp
List price: $50.00 |
Muhammad Ali, Robert Kennedy, Andy Warhol, Martin
Luther King Jr., Samuel Beckett, Ray Charles, Jackie Kennedy Onassis,
Barbra Streisand, James Baldwin, and Truman Capote. Schapiro’s
Heroes brings together an extraordinary collection of stories
in the photo-journalistic tradition of people who have shaped our
lives, our politics, and our tastes by the celebrated documentarian
Steve Schapiro. More
about this book » |
|
|
|
|
Rare
Creatures: Portraits of Models,
Howard Schatz
2002 Wonderland Press
106 pp.
List price: $50.00 |
"Rare
Creatures is a series of photographs by Howard Schatz of
New York fashion models. The book contains 76 color photographs.
Hundreds
of models come to castings at our studio in New York as a necessary
step in advance of a beauty or fashion shoot. They come from all
over the world and they embody an enormous range of human expression,
physical beauty, complexion, sexiness, personality and hope. This
work was inspired by these "rare" creatures." |
|
Athlete,
Howard Schatz
2002, Harper Collins
12" x 10", 256 pp.
List price: $59.95 |
"In such
uniquely visionary books as Water Dance, Pool Light,
Passion & Line, and Nude Body Nude, Howard Schatz
has established himself as one of the great photographers of the
human form. Working primarily with dancers, Schatz has been particularly
attracted to form shaped by function. Now, in Athlete,
he reaches the zenith of his photographic paean to the human body,
creating an astonishing record of the specialized forms both adapted
to the wide spectrum of sport and shaped by fiercely focused effort.
His subjects, as varied and meticulously documented as Audubon's
birds, literally embody the astonishing array of physical perfection
required for their particular sports. With a seamless blend of art
and precision, Schatz shows us the awesome upper-body power of Olympic
wrestling champion Rulon Gardner discus thrower Adam Setliff, and
football player Joe Johnson; the lissome graces of high jumper Charles
Austin and rhythmic gymnast Jessica Howard; the shock-absorbing
legs of downhill skier Daron Rahlves; the sculptural perfection
of NFL wide receiver Terrell Owens and sprinter Sean Crawford; the
compact muscularity of gymnasts Tasha Schwikert and Sean Townsend;
the Giacometti-like slenderness of marathoners Tegla Loroupe and
American marathon champion Deena Drossin; as well as 125 other athletes
at the top of their games, In serene portraits and intricately dissected
motion photographs, Schatz gives us an unprecedented celebration
of the body as divine machine, and manages at the same time to present
a collective view of the human spirit at its most intense.
..." |
|
Pool
Light,
Howard Schatz
1999, Graphis Press
14" x 10.75", 250 pp.
(used copies available) |
|
|
|
|
|
Gary
Schneider: Portraits,
Gary Schneider
2004, Yale University Press
10" x 8.5", 136 pp.
List price: $24.95
|
"Considered
one of the most thought-provoking photographers practicing today,
South African-born Gary Schneider creates unique luminescent portraits
that transform their specific subject matter and probe the enigmatic
character of identity. This remarkable book is the first to examine
Schneider's innovative portrait work. Deborah Martin Kao discusses
Schneider's re-presentation of nineteenth-century studio portraits,
his handprint photograms, and his fragmented face portraits-all
of which reveal as much about the language of photography as they
do about the subjects being depicted. She shows how Schneider portrays
the collaboration between artist and subject, seen in his use of
a light pen to sculpt or trace his subjects over long exposures,
and in his prints that display traces of movement in time. Kao also
discusses Schneider's work with scientists to create negatives from
which he makes strikingly beautiful images of blood, DNA, and strands
of hair, and how these represent a fascinating evolution in traditional
thinking about the nature of photographic portraiture. Gary
Schneider: Portraits also features an interview with Schneider
that provides insight into the life and working methods of an extraordinary
contemporary photographer." |
|
Genetic
Self-Portrait,
Gary Schneider
1999, Light Work
10" x 8.25", 64 pp.
List price: $35.00 |
"This
first edition clothbound book includes 64 four-color and 55 halftone
reproductions. To produce most of the images in Genetic Self-Portrait
Schneider worked with internationally acclaimed scientists and utilized
advanced imaging systems to present an intimate look at himself
from dramatic handprints to individual chromosomes. The New York
Times Magazine has recognized the ground breaking significance of
Genetic Self-Portrait and featured a large selection of
the work in their important Millennium series. The work also has
been exhibited around the world and is scheduled to tour to major
international institution in 2000 and beyond. The book is a ground
breaking exploration of the infinite possibilities that define who
we are and celebrates the art and science of fine printing. Printed
on a rich uncoated paper at The Stinehour Press the book captures
all the subtleties, grace and texture of Schneider's original prints.
Genetic self-portrait also includes insightful and informative essays
by Lori Pauli, Ann Thomas and Bettyann Holtzmann Kevles." |
|
|
|
|
The
Last Sideshow,
Hanspeter Schneider
2004, Dazed Books
12.5" x 9.5", 160 pp.
List price: $29.95 |
"The
Last Sideshow is a wonderful chronicle of an American community
of traveling circus performers. As a contributor to Vogue, GQ and
Elle, Hanspeter Schneider's professional life has focused on the
artifice of beauty. In his new book he challenges popular assumptions
and captures beauty with charm and understanding, in perhaps the
most unusual of places. The portraits have humor, dignity and vivacity
but above all they are a fascinating account of a disappearing community." |
|
|
|
|
On
Fire
Larry Schwarm
2003, Duke University Press
10" x 10", 128 pp.
List price: $39.95 |
"A startling,
mesmerizing series of photographs of prairie fires, On Fire
transports us from moments of almost apocalyptic splendor to the
stillness of near abstraction. For over a decade Kansas-based photographer
Larry Schwarm has been making extraordinary color photographs of
the dramatic prairie fires that sweep across the vast grasslands
of his native state each spring. Based on this stunning and extensive
body of work, Schwarm was chosen from over 500 submission as the
inaugural winner of the CDS/Honickman Foundation First Book Prize
in Photography. With publication of On Fire, Duke University
Press, in association with the Center for Documentary Studies and
The Honickman Foundation, launches this major biennial book prize
for American photographers. ..." |
|
|
|
|
The
Color of Time,
Sean Scully
2004, Steidl Publishing
9" x 13.25", 208 pp.
List price: $60.00 |
"Painter,
photographer, watercolorist, and printmaker Sean Scully roams the
world with his camera, capturing its surfaces in places as far-flung
as Mexico and the Aran Islands, as close to home as his own studio.
His photographs sometimes consist of close-up shots of his own paintings,
wherein he zooms in on the material reality of his richly painted
surfaces and transforms their colors and shapes into a different
abstract configuration. More often, Scully goes from recognizable
objects in the larger world to subjective impressions of them. Snapshots
of façades, windows, and doors are never straightforward
recordings of architectural elements. By depicting fading walls,
cracked surfaces, rough edges, and the deep shadows created by them,
these images capture beauty in decay, and evoke the basic contradiction
of nature and life: solidity and fragility, timelessness and change.
As metaphors of physical and mental conditions, the photographs
capture the memories, feelings, and thoughts connected to the experience
of that reality. It is precisely this continuing interchange of
the recognizable and abstract worlds, the visible and the invisible,
that empowers Scully's works in all media."
Essays by Arthur C. Danto and Mia Fineman. ~Interview by Edward
Lucie-Smith. - 190 color illustrations.
|
|
|
|
|
Under
the Same Sky, Cario,
Randa Shaath
2004, Witte de With/Fundació Antoni Tàpies
9.25" x 6.75", 128 pp.
List price: $25.00 |
"In three series of
black-and-white pictures, Randa Shaath meets and photographs the
people who live in Cairo, Egypt's capital city. Under the Same
Sky--Rooftops of Cairo documents the lives of people who inhabit
the rooftops of the city's apartments. Profiles portrays a variety
of local citizens, including painters and writers, poets and dancers,
film directors and parking lot attendants. And In the Heart of the
Nile captures the lives of the farmers and fishermen who live on
the island Qursaya in the Nile, where the river runs through the
center of Cairo. This monograph by Randa Shaath is part of the publications
series being developed parallel to the project Contemporary
Arab Representations." - 90 duotone illustrations
Essay by Nadia Kamel. Introduction by Randa
Shaath. Afterword by Catherine David and Nuria Enguita Mayo.
|
|
|
|
|
Ben
Shahn's New York: The Photography of Modern Times,
Deborah Martin Kao, et al.
2000 Yale University Press
10.31" x 9.37", 320 pgs.
List price: $60.00 |
"Ben
Shahn (1898-1964) was at once a painter and photographer who claimed
himself not to make a distinction between the two, though the critics
and scholars have always given privilege to the paintings. Shahn
preferred the hand-held 35mm Leica and an anglefinder (a device
like a periscope that allowed him to photograph people without pointing
his camera at them) to the cumbersome large-format cameras. He shot
what he called the "living theatre"-the unconscious expression
of working class and immigrant populations on NYC streets-and left
a poignant record of the worst years of the Great Depression. The
point this really good book makes is that, paintings aside, Shahn's
photographs have strong impact and intrinsic value. Shahn's view
of NYC ignores the skyscrapers and bridges that many of his contemporaries
fixed on and gives us NYC at street level, eye level." |
|
Ben
Shahn, Photographer: An Album from the Thirties,
Ben Shahn
1973, DaCapo Press
(used copies avaialable) |
|
|
|
|
|
Meetings,
Paul Shambroom
2004, Consortium
12" X 9.5", 11pp
List price: $49.95 |
Dramatic and revealing large-format panoramic tableaux
of American democracy in action. - publisher
Read more about this book |
|
|
|
|
The
Photography of Charles Sheeler: American Modernist,
Theodore E. Stebbins, Jr.
2002, Bulfinch
12.54" x 9.76", 224 pgs.
List price: $75.00 |
"Considered
one of the most significant American painters of the period between
the two world wars, and founder of the precisionist school, Charles
Sheeler (1883-1965) was also one of the pivotal photographers of
the modernist movement in this country. His direct style can be
likened to that of contemporaries Paul Strand, and Edward Weston.
Sheeler is perhaps best-known for documenting the transformation
of the American industrial landscape (in both painting and photography),
and for an early series of photographs of his Doylestown, PA, house." |
|
Charles
Sheeler: The Photographs,
Theodore E. Stebbins, Jr.
1987, New York Graphic Society
(out of print, used copies available) |
|
|
|
|
|
Cindy
Sherman
Cindy Sherman
2003
11" x 9.25", 104 pp.
List price: $42.50
Order this book |
"A Serpentine
retrospective of Sherman's many 'characters' and 'portraits' from
the last three decades. From the black and white 'Actress' series,
to her late 70's film stills, and her most recent 'Clowns.' Each
is centred in the page surrounded by a generous white border. Rochelle
Steiner introduces the catalogue with an essay about those who have
influenced Sherman, and those she has in turn influenced."
- publisher - softbound, 52 duotone plates |
|
Cindy
Sherman: Film Stills,
Cindy Sherman
2003, Museum of Modern Art
10.82" x 9.74", 164 pgs.
List price: $39.95 |
"Cindy
Sherman's Untitled Film Stills, a series of 69 black-and-white
photographs created between 1977 and 1980, is widely seen as one
of the most original and influential achievements in recent art.
Witty, provocative and searching, this lively catalogue of female
roles inspired by the movies crystallizes widespread concerns
in our culture, examining the ways we shape our personal identities
and the role of the mass media in our lives. ...
In 1995, The Museum of Modern Art purchased the series from the
artist, preserving the work in its entirety. This book marks the
first time that the complete series will be published as a unified
work, with Sherman herself arranging the pictures in sequence."
- 69 duotone plates |
|
Cindy
Sherman: Retrospective,
Cindy Sherman, Amanda Cruz, et al.
2000, Thames & Hudson
12.09" x 9.19", 220 pgs.
List price: $34.95 |
"This
comprehensive book traces the career of Cindy Sherman, examining
her achievements as one of the leading American artists of our time.
Provocative and engaging, the vivid physicality of Sherman's photographs
is the key to their dramatic power. By exploring the myriad constructions
of female identity and the body in our culture, Sherman imitates
and confronts assorted representational stereotypes, becoming for
many an icon of the contemporary concerns of feminism and postmodernism.
Essayists Amanda Cruz, Elizabeth A. T. Smith, and Amelia Jones offer
keen insight and observations from several distinct vantage points,
demonstrating that Sherman's work is a lens through which to view
contemporary art and its ongoing concern with the profound issues
of the structures of the self. More than 200 images show the breadth
of Sherman's body of work, from the Untitled Film Stills of the
1970s to series such as Centerfolds, Fashion, Disasters, Fairy Tales,
and History Portraits, as well as photographs influenced by surrealist
artists. Also included are intriguing excerpts from Sherman's notebooks,
selections from her contact sheets, and numerous Polaroid studies,
all of which shed light on the artist's process. Cindy Sherman:
Retrospective was first published to accompany an exhibition
organized by the Museum of Contemporary Art, Chicago, and The Museum
of Contemporary Art, Los Angeles. 279 photographs, 145 in color |
|
Cindy
Sherman: Photographic Works 1975-1995
Elisabeth Bronfen, et al.
2002, Schirmer/Mosel
11.5" x 9.74", 184 pgs.
List price: $35.00 |
|
|
Cindy
Sherman: Centerfolds,
Cindy Sherman
2004, Skarstedt Fine Arts
44 pgs.
List price: $25.00 |
"One
of Sherman’s most popular series - the Centerfolds
were created in 1981 as a special project for Artforum at the invitation
of Ingrid Sischy who was then the Editor. Composed by Sherman to
utilize the "centerfold" format of the magazine, the 12
images feature self-portraits, which fill the frame. In the end
Artforum chose not to run them, but they have since become both
an integral point in the oeuvre of Sherman and a part of our contemporary
visual iconography. The 12 images are featured in this handsome
hardcover catalogue. Lisa Phillips, Director of The New Museum of
Contemporary Art contributes the text. Issued in a relatively small
print run this book should only increase in value over time." |
|
|
|
|
Stephen
Shore
2007, Phaidon
160 pp
List price: $49.95 |
Stephen Shore (b. 1947) is a true artistic innovator
whose work has opened up new frontiers for contemporary photography.
His photographs of everyday American scenes unveiled the exceptional
beauty to be found in banality, at the same time laying the groundwork
for contemporary photographic genres such as the diaristic snapshot
and the monumentalized landscape.
More about this book
»
|
|
Uncommon
Places The Complete Works,
Stephen Shore
2004, Aperture
10.25" x 11.75", 180 pp.
List price: $50.00
|
Published by Aperture in 1982 and long unavailable,
Stephen Shore’s legendary Uncommon Places has influenced
a generation of photographers. Among the first artists to take color
beyond advertising and fashion photography, Shore’s large-format
color work on the American vernacular landscape stands at the root
of what has become a vital photographic tradition. Uncommon
Places: The Complete Works presents a definitive collection
of the original series, much of it never before published or exhibited.
- 140 four-color images |
|
|
|
|
Malick
Sidibé: Photographs,
Malick Sidibé
2004, Steidl Publishing
11.75" x 11.5", 108 pp.
List price: $60.00
|
"Malick
Sidibé documented an important period of West African history
with great commitment, enthusiasm, and insight, focusing on Malian
youth in the 1950s and 60s. His portraits and documentary photography
captured the unique atmosphere and vitality of an African capital
in a period of great euphoria. From the earliest days of the postcolonial
period, Sidibé was a privileged witness to a period of tremendous,
euphoric cultural change. As a young but well thought-of photographer,
he captured a time of paradigm shift and youthful insouciance with
a healthy curiosity about the rest of the world, and a valiant sense
of pride and confidence in the future. Sidibé learned the
basic skills of studio photography as an apprentice before he began
making reportage photographs. Since then, he has been devoted to
photography. His portraits and documentary photographs, from the
late 1950s to the mid-1970s, now bear witness to the cultural and
social development of post-colonial Mali. We see joy, hope, beauty,
and power in these psychologically captivating images. Sidibé's
work, originally intended for an African audience, is a unique memoir
and testimony for a world audience." - 100 Tritones |
|
|
|
|
American
Horizons. The Photographs of Art Sinsabaugh,
Art Sinsabaugh
2004, Hudson Hills Press
11.25" x 14.5", 168 pp.
List price: $50.00
|
Text by Nanette Esseck Brewer
This revealing monograph explores how Sinsabaugh's wide format photographs
expose the bond between humankind and the earth as suggested by
his images of wide horizons, interspersed by skyscrapers, bridges,
silos and highways. - publisher |
|
|
|
|
Jeanloup
Sieff: 40 Years of Photography
Jeanloup Sieff
1996 Taschen America
14.25" x 10.25", 288 pgs.
(used copies
available) |
|
|
Dance
Jeanloup Sieff
1999, Smithsonian Institution Press
9 " x 9", 60 pgs.
List price: $25.95
|
"Seif's
career photographing haute couture and the nude combine to present
an intriguing, sensual account of the world of dance." |
|
|
|
|
Laurie
Simmons: Interior and Big Figures,
Laurie Simmons
2003, Skarstedt Fine Art
9.5" x 8", 44 pp.
List price: $30.00 |
Essay by Collier
Schorr.
"In a 1992 interview, Laurie Simmons stated that, in her first
body of color works, she was "trying to recreate a feeling,
a mood from the time I was growing up: a sense of the 50s that I
knew was both beautiful and lethal at the same time." Reproduced
here, her early series Interiors and Big Figures depict
a post-World War II, 50s suburbia through plastic housewife and
cowboy dolls placed in constructed interiors and manipulated exteriors.
While the dolls provide a sense of play, the reality of the images
they model is unavoidable. The female is pictured in the home, but
she is alone, isolated, and vulnerable. The cowboy exudes the confidence
and independence of a life of adventure, but he cannot escape the
implied violence, racism, and paternalism that also characterize
his ideal." - 47 color illustrations |
|
In
and Around the House: Photographs 1976 - 78,
Laurie Simmons
2003, Distributed Art Publishers
9.5" x 11.5", 104 pp.
List price: $39.95 |
Essays
by Carol Squiers and Laurie Simmons
"Laurie Simmons has been dealing with issues from In
and Around the House since the mid-1970s. Her seminal early
work was some of the first to use set-up photography to create
images with intensely psychological subtexts and forcefully feminist
content. The 1950s-style constructed interiors used dolls, dollhouse
furnishings, miniature props, postcards, interior decoration books,
pamphlets and magazines to create images that questioned female
stereotypes and American clichés with humor and charm.
Though they were shot both in color and black, the latter have
remained woefully under-published and are presented here, for
the first time, in full, along with a critical essay by Carol
Squiers, curator at the International Center of Photography in
New York, and a personal account by Simmons herself." - 60
black-and-white illustrations |
|
|
|
|
Aaron
Siskind 100,
Aaron Siskind
2003 powerHouse
13.18" x 10", 176 pgs.
List price: $65.00 |
"One
of the most important and influential artists working in photography
during the twentieth century, Aaron Siskind is being celebrated
on the occasion of his 100th birthday with the publication of this
sumptuous and comprehensive monograph bringing together both well-known
and never-before-published images. Siskind's prolific career spanned
six decades and has left its mark on both photography and art history.
In 1932, at age twenty-nine, Siskind began his career as a photographer
and spent the next nine years, under the auspices of the New York
Photo League, working on social documentary photography. Around
1940, Siskind made a shift towards abstraction and suddenly entered
an art world populated by painters and sculptors. During the course
of the decade, Siskind began to explore a vision that depended on
the shallow plane, and utilized delicate, minimal designs. "For
the first time in my life subject matter, as such, had ceased to
be of primary importance," Siskind explained. "Instead
I found myself involved in the relationships of these objects, so
much so that the pictures turned out to be deeply moving and personal
experiences." The photograph had become the object. Siskind's
style of gesture and nuance, a new form of visual calligraphy, dominated
his work for the next forty years, and ran parallel to the developments
of his colleagues, the abstract expressionists. ..." |
|
Bucks
County: Photographs of Early Architecture
Aaron Siskind
1974, Horizon Press
(used copies available) |
|
| |
|
|
|
|
Salgado
Samaras
Sammallahti
Sanders
Saudek
Schapiro
Schatz
G.Schneider
H.Schneider
Schwarm
Scully
Shaath
Shahn
Shambroom
Sheeler
Sherman
Shore
Sinsabaugh
Sidibé
Sieff
Simmons
Siskind
|