MONOGRAPHS
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The books
in this section are monographs by individual photographers. The books
are available through our association with Amazon.com If you are interested
in a book that is not available through Amazon.com, we most likely have
an alternative source or a copy in our collection that you may inquire
about.
NOTE: The prices of the books listed on this web site are the publishers
list prices. Most books are available at significantly
less than the posted list price.
The listing
here is alphabetical by the photographer's last name.
A
B C D
E F G
H I J
K L Ma
Mo N O
P Q R Sa
Sk T U
V W X Y
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Trackside
Maryland. From Railyard to Main Line,
James P. Gallagher
2004, John Hopkins University Press
12.25" x 9.25", 224 pp
List price: $29.95. |
In the 1950s, as railroads underwent major
changes, some marginal lines stood on the brink of extinction. Steam
locomotives grew scarcer by the month, as did rail passenger connections.
With a keen eye for location and composition, James Gallagher in
Trackside Maryland captures the drama and majesty of steam
transportation in Maryland in its waning days, when passing trains
left clouds of cinders and smoke behind them and the sound of steam
whistles still echoed across the landscape-all these sights and
sounds giving way to modern diesel locomotives. Here Jacques Kelly's
evocative prose accompanies Gallagher's ever vigilant lens. We are
transported back to the last years of steam railroading. 'Each of
Jim's photographs tells a story and conveys mood, spirit, atmosphere,
and character. The ground in his photographs rumbles. Some of the
antique trains he photographed look as if they might rust and crumble
before the end of their trip. Other photos impart a feeling of majesty
and romance. and you don't have to be a train buff to appreciate
them. Just step aboard and savor the results of Jim Gallagher's
skill, luck, and persistence.' - Jacques Kelly, from the Introduction |
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Consuming
the American Landscape,
John Ganis
2003, Dewi Lewis Publishing
10" x 13", 160 pp.
List price: $50.00 |
Introduction
by Robert Sobieszek
"Using highly detailed color photographs, John Ganis has chronicled
the effects of development and extraction industries in every region
of the Continental United States over a period of seventeen years.
The subjects of Ganis’s images are for the most part flagrantly
clear—abandoned wrecks, desolate strip mines, clear-cut forests,
industrial parks, landfill sites, and the flattening of terrain
for housing -developments—and just as flagrantly disturbing.
This is a thesaurus of our "civilized" incursions into
the wildness of nature, a charting of our debris-strewn topographies,
and a cogent report on our abdication of any reverence -towards
the land. In an introductory essay, Robert -Sobieszek, from Los
Angeles County Museum, gives an insightful overview of the historical
responses to the American landscape and places the work of John
Ganis within the context of "the new American pastoral."
In 1989, Ganis entered into a collaborative exchange with the noted
anthropologist Dr. Stanley Diamond, who wrote the poetry for this
book in response to John Ganis’s photographs. They represent
some of his last and previously unpublished poetic work." |
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Gardenscapes,
Lynn Geesaman
2003, Aperture
10.26" x 9.32", 80 pgs.
List price: $40.00 |
"In this,
the first publication of her color work, Lynn Geesaman continues
to evoke the human dreams of artifice and industry that have imposed
their will upon the natural landscape. For almost twenty years,
Geesaman has photographed fertile orchards and fields as well as
elaborately cultivated gardens and manicured walkways of parks,
estates, and châteaus in Germany, Belgium, France, Italy,
and across the United States. ..." |
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Poetics
of Place,
Lynn Geesaman
1999, Aperture
13" x 10.5", 78 pgs.
(used
copies available) |
"Geesaman's
Poetics of Place contains some of the finest formal-garden
photography ever published--in monochrome, no less, which she developed
into vibrant, velvety visions of the ideal garden."
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Mario
Giacomelli,
Mario Giacomelli
2001, Phaidon Press
12" x 10.5", 428 pp.
List price: $69.95 |
"With
the recent death of Mario Giacomelli, Europe has lost one of its
most talented photographers. Giacomelli trained initially as a
typographer and this early interest in graphic effect became a
central part of his later photographic work. Winner of numerous
medals and prizes, he achieved international status with exhibitions
in Europe, America and Japan.
This is the
most comprehensive survey of Giacomelli's work ever published.
Arranged in themes, each section is a testament to his highly
personal, striking and artistically atmospheric visual style,
demonstrating his life-long preoccupation with landscapes (emphasizing
their linear and abstract patterns), rural townscapes, street
scenes, still lifes, and portraits of everyday Italian life. With
over 600 beautiful and poetic duotone photographs this extraordinary
and inspiring collection displays a profound understanding of
the photographer's country and its people, and a mastery of form
and effect that make his photographs imaginative works of art
in their own right." |
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Ex
Libris,
Ralph Gibson
2001, Powerhouse Books
11.35" x 9", 144 pgs.
List price: $40.00 |
"In
this, Ralph Gibson’s 30th monograph, books themselves have
become objects of fascination, examination, and veneration. From
the early days of ancient Roman stone carvings to the revolutionary
printing of the Gutenberg Bible through today’s explosion
of information on the Internet, Ex Libris chronicles
the written record, offering a new interpretation of the signs,
letter forms, shapes, and images used to document human history.
Features images from the world’s greatest book collections
and libraries, including the Bibliotheque Nationale in Paris;
the British Museum; the New York Public Library; the Pierpont
Morgan Library; and the Cairo Museum." |
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Deus
Ex Machina,
Ralph Gibson
1999, Taschen America
7.8" x 5.73", 768 pgs.
List price: $29.99 |
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Light
Years,
Ralph
Gibson
1996, Edition Stemmle
12.5" x 9.75", 200 pp.
(used copies available) |
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Laura
Gilpin: An Enduring Grace,
Martha A. Sandweiss
1986, Amon Carter Museum,
386 pgs.
(out of print, used copies available) |
"Laura
Gilpin was a perfectionistic photographer. She would make several
trips to capture a particular quality of sunlight on a mesa or
a Navaho woman's face. Though she did not set out to document
the Navahos' and Pueblos' endangered way of life, her sometimes
romantic pictures of the American Southwest, its peoples and landscapes,
form an enduring record of Indian culture, reflecting Native Americans'
strong family ties and spiritual oneness with the land. Her photographs'
formal perfection and deeply moving impact come through in 167
superb full-page reproductions in tritone, color and duotone.
..." |
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Anthony
Goicolea,
Anthony Goicolea
2003, Twinn Palms Publication
9.25" x 13", 160 pp.
List price: $60.00
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"This
fantastic new book from Twin Palms Publishers, with accompanying
DVD of video-shorts, brings to a much broader audience the work
of Brooklyn-based multi-media artist Goicolea. His work is entirely
self-portraiture, presented in very carefully staged cinematic tableaux's
in which he plays a host of characters. "Through digital manipulation,
I am able to clone myself and create scenarios in which I act out
childhood incidents such as fight scenes, first kisses, and deranged
play dates. These works are simultaneously rooted in nostalgia and
science fiction. While hinting at the past and early Freudian developmental
stages of youth, they also refer to new medical and technological
breakthroughs in fertility drugs and gene cloning with biting cynicism
and humor."-Anthony Goicolea. The book itself is magnificent,
as are all Twins Palms projects. The work is psychological and metaphorical
at one and the same time, seamlessly presented." |
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The
Devil's Playground,
Nan Goldin
2003, Phaidon Press
12.2" x 9.24", 504 pgs.
List price: $95.00 |
"This
is a major collection of photographs by Nan Goldin, representing
over 35 years' work. This significant body of work begins in the
early 1970s with her "Dazzle Bag" portraits and her series
of photographs on themes of maternity, family and landscapes. The
book contains Goldin's new and recent photographs in narrative and
thematic sequences such as "Landscapes", "Self-portraits",
"Maternity, Heartbeat" (2001), "My French Family"
(1999-2001) and "57 days" (2000), many of which are previously
unpublished. It also contains some of the "drag queen"
photos of the mid-1990s, the "Cookie Mueller" portfolio
of 1989 and the "Ballad of Sexual Dependency" images from
the 1980s. Goldin's early black-and-white photographs from the Boston
years in the 1970s also form part of this substantial collection.
Nan Goldin's photographs are intimate and compelling - they tell
personal stories of relationships, friendships and identity, but
at the same time chronicle different eras and the passage of time.
Their subject matter ranges from drag queens and AIDS to the family,
maternity and most recently, nature and landscapes. Laid out in
chronological sequences by the artist, like a diary, the material
is both candid and affirmative. In addition, a number of short essays
are interspersed throughout the photographic sequences. Individually,
these texts discuss different aspects or themes in Nan Goldin's
work such as the narrative, love and gender politics, while also
referencing particular works such as the "Ballad of Sexual
Dependency" (1981-96). A conversation between the artist
and Catherine Lampert, freelance curator, former director of the
Whitechapel and close friend of Goldin, touches on the sources of
her inspiration and her life as a prominent artist." |
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I'll
Be Your Mirror
Nan Goldin
2002, Scalo Verlag
10.92" x 8.31", 492 pgs.
List price: $55.00 |
" Based
on an exhibition of the same title at the Whitney Museum of American
Art this collection of more than 300 pictures documents the alternative
culture of Nan Goldin's friends and acquaintances in the arty bohemian
substrata of Manhattan. Goldin turns her camera outward to record
transvestites carousing in downtown clubs and the social impact
of AIDS and drugs; and inward to look with unblinking intimacy at
her friends, her lovers of both sexes, and herself. She records
her boyfriend masturbating. She shows him on the toilet. She shows
her own battered face in a mirror after he beats her up. She traces
the decline and death of her friend Cookie Mueller. Goldin has created
a stark record of her urban demi-monde." |
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The
Ballad of Sexual Dependency,
Nan Goldin
2001, Aperture
9" x 10", 144 pgs.
List price: $27.50 |
"The
Ballad of Sexual Dependency is Nan Goldin's visual diary chronicling
the struggle for intimacy and understanding between fris and lovers
collectively described as her "tribe." Goldin's work describes
a world that is visceral, charged, and seething with desire. It
charts the loss of innocence through the barrooms and parties at
the social periphery of New York's East Village and through the
harrowing worlds of drugs and prostitution." |
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Goldbeck
Eugene O. Goldbeck
1999 , Actar Editorial
7.44" x 10.56", 136 pgs.
List price: $33.00
(reprint of the original 1986 edition) |
Goldbeck
died in 1986 after a long career producing commercial photographs
from his San Antonio-based business, The National Photo Service.
He documented some groups in their working or social environments;
others he organized into formal patterns that he photographed
from specially built towers. While studying the visual details,
one can also reflect on the cultural aspects of time and place:
for example, the captivating 1922 "Bathing Girl Revue,"
the disturbingly juxtaposed "Fred Beebe Rodeo riders and
Ku Klux Klan drum and bugle corps," and the "living
insignias" composed of thousands of military personnel. ... |
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Hasselblad
Award 2006,
David Goldblatt
2007, Hatje Cantz
12" x 10¾"
List price: $50.00 |
When David Goldblatt received the world-renowned
Hasselblad Award in 2006, he had been making photographs of the
South African landscape and culture for more than 50 years. More
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Particulars,
David Goldblatt
2004, Goodman Gallery Editions
14" x 15"
List price: $350.00
order this book |
The Goodman Gallery is proud to announce that
the photographer David Goldblatt has just recently received the
prestigious ‘Rencontres d’Arles Book Award’
for his book ‘Particulars’ which was published
in 2003 by Goodman Gallery Editions and printed by the Scan Shop
in Cape Town. The book award is one of five categories for the
competition that was established in 2002. It has become the focal
point of the annual Rencontres d’Arles festival. It is sponsored
entirely by the Dakota Group. David is even more proud of this
award as it was judged by an international panel comprising of
world renowned photographers who have affirmed and celebrate his
international status. - publisher
Read more
about this book. |
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Emmet
Gowin: Changing the Earth,
Jock Reynolds, et al.
2002, Yale University Press
12.9" x 11", 164 pp.
List price: $45.00 |
"Emmet
Gowin has been taking aerial photographs of the landscape in the
United States, Mexico, Czechoslovakia, Asia, and the Middle East
for over twenty years. In his most compelling photographs, one witnesses
how man's footprint has visually scarred and continually altered
the earth's surface. This extraordinary book, published in conjunction
with the first major touring exhibition of Gowin's photographs in
over ten years, focuses on images created after 1986. That was the
year Gowin began to extend his aerial photography explorations in
America by recording images of military test sites, missile silos,
ammunition storage and disposal facilities, coal mining, pivot irrigation,
offroad motor traffic, and more. The book also surveys his more
recent works, which focus on other regions of the world, including
the battlefields of Kuwait, new golf courses in Japan, and the chemo-petrol
industries of the Czech Republic. Gowin's richly toned black-and-white
images have been characterized as "immorally gorgeous,"
since at a distance even his most disturbing images can appear to
be beautiful. In this exquisitely produced volume, Jock Reynolds
provides an overview of Gowin's aerial photography and places it
in the context of his earlier work and that of such photographers
as Carleton Watkins, Alfred Stieglitz, Ansel Adams, and Frederick
Sommer. Philip Brookman illuminates Gowin's recent work in the Czech
Republic, while Terry Tempest Williams discusses Gowin's images
from the American West, especially his Nevada Test Site series." |
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Emmet
Gowin Photographs,
Emmet Gowin
1991, Bulfinch
12.5" x 11.5", 127 pp.
(used copies available) |
"Published
in conjunction with a major exhibition at the Philadelphia Museum
of Art, this handsome volume provides a retrospective look at the
first 25 years of Emmet Gowin's artistic career. From his early
(and continuing) series of intimate photographs of his wife, children,
and extended family, on through his later landscape work-- including
images of Mt. St. Helens, Ireland, and the ancient city of Petra
in Jordan, as well as several stunning aerial photographs-- this
mid-career monograph provides an exciting sampling of Gowin's work.
The reproductions are excellent: each plate might easily be mistaken
for an original print." |
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A
Shimmer of Possibility,
Paul Graham
2007,
Steidl Mack
13" x 10", 360 pp
List price: $250.00
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Inspired by Chekhov's short stories-and by his
own contagious joy in the book form-photographer Paul Graham has
created A Shimmer of Possibility, comprised of 10 individual
books, each a photographic short story of everyday life. More
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New
Europe,
Paul Graham
2004, Cornerhouse /Photomuseum Winterthur
12.25" x 7.5", 111 pp.
List price: $35.00 |
"This is the first U.S. release of this widely
praised book. New Europe seeks to dig beneath the utopian
dream of a united continent arising to face the dawn of the 21st
century. Paul Graham's photographs reflect on the inescapable shadow
of history that falls over each nation's conscience, from the dictatorships
of Franco and Hitler, to the Holocaust and the Irish conflict. Thus
burden is interwoven with a questioning of the banality of modern
day consumption-led culture. Neither a narrative nor a conventional
documentary, this body of photographs builds into a visual poem
that resonates across the social and psychological landscape of
Europe today." - 45 color illustartions
Essay by Urs Stahel. |
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American
Night,
Paul Graham
2003, Steidl
15" x 11.5", 128 pp.
List price: 65.00 |
"Paul Graham's photographs touch upon the
social fracture of America--the great divide between the included
and excluded, blacks and whites, haves and have-nots. Taking on
a simple topic, of late dealt with only through cliché photojournalism,
American Night embraces neglected territory in a series
of shocking images that sit on the fence between art and document.
Graham's images blind and overwhelm the viewer with a feeling akin
to stepping out of a sheltered place and into the sunlight. Drained
of color, shadow and form, they resonate with the lives of those
they portray...and then the sequence snaps, either to a vibrant
full-color image of a freshly minted dream house, complete with
a blue sky and green grass of unattainable perfection, or to an
intensely dark street portrait...before returning to the endless
blinding whiteness of everyday life. Beyond their paucity or wealth
of color these images contrast one another in their content: These
perfect homes are unobtainable to those walking in the burnt landscape;
they are a mirage, a dream or promise that can almost never be reached.
Here is the chasm between promise and actuality, hope and reality,
dream and truth. Shot between 1998 and 2002 in locations across
America, including Los Angeles, Memphis, Detroit, New York City
and Atlanta." - 60 color illustrations
Edited by Michael Mack. |
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Broken
Spirits
Eberhard Grames
1995, Edition Stemmele
12.25" x 10", 127 pgs.
(out of print, used copies available
order this book) |
"Broken
Spirits is the second volume of still lives by Eberhard Grames.
Following the success of his fascinating color photographs in
Muschelberz und Finkenschalg, this new book examines
the world of things in classic black-and-white.
In a decade in which only the big seems important, Eberhard Grames
finds an incredible wealth in form and beauty in nature's smaller
things. He observes these objects with the precision of a natural
scientist through the lens of his 8 x 10 inch camera, bonding
together things never before united and thus inventing stories
we have never heard them tell before. Or does he only reveal the
mysterious magic of things that is ordinarily kept hidden? ..."
- from the book jacket
A remarkable
work by an ingenious photographer. This book is a stunning volume
of Grames' creations. Superior reproductions. - Ed. |
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Muschelberz
und Finkenschalg,
Eberhard Grames
1991, Stemmele
112 pgs.
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This
book is very rare and hard to find. Inquire for availability. |
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Open
Wound. Chechnya 1994-2003,
Stanley Green
2003, Trolley
9.7" x 11", 220 pp.
List price: $59.95 |
"Chechnya
re-iterated its largely Muslim claim to independence from Russia,
one they had first made 150 years before. Then, of course, they
had no knowledge of the importance of oil; they were peasants
hurling clods against the cavalry of Imperialist Russia. They
do now. A blitzkrieg was launched against the Chechens in 1994,
so devastating as to reduce Grozny, the capital, to a city of
rubble and rats, the Dresden of the Caucasus. There followed the
systematic rape and murder of the people – men, women and
children – by the Spetznatz, the Russian special forces.
But the Chechens
would not die. What is left in Grozny, the capital of Chechnya,
is a vision of hell in the eyes of the survivors - pictured by
Stanley Greene - that seems impossible to contemplate. The horrific
politics of Yeltsin and Putin are reasonably comprehensible, given
their roles. But what do the mothers of the Russian soldiers who
have done this to Chechnya feel now about their sons?
Stanley
Greene’s photographs in Open Wound are so powerful
as to make these our responsibilities. He is unashamed to use
guilt, with his painter’s eye, to relate the deeds of men
in Chechnya to our own conduct." - from publisher |
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Breaking
Bounds, The Dance Photography of Lois Greenfield
Lois Greenfield
1992, Chronicle Books
11.25" x 10.75", 120 pgs.
(used copies available) |
Introduction
by William A. Ewing
Softbound
editons available, list price: $24.95
"In
this collection of photographs, made between 1982 and 1991, Lois
Greenfield's revolutionary work captures the explosive energy
and beauty of dancers' bodies in motion, as they present a powerful
and elegant depiction of the human body in midair. 87 duotone
photographs. 7 halftones." |
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Airborne:
The New Dance Photography of Lois Greenfield,
Lois Greenfield
1998, Thames & Hudson
112 pgs.
(used copies available) |
Softbound
editons available, list price: $22.95
1998, Chronicle Books. 10.41" x 10.47", 112 pgs.
"All
of the nearly 100 black-and-white photos in the book were shot
in a studio with vacant backdrops so that the images sail forth
unimpeded by background distractions. Greenfield offers short
notes on many of the pictures that include information about the
dancer as well as fascinating notes on how she achieved the image.
Of one shot of three dancers seemingly pinned over each other
and stuck like magnets to the same wall, she writes: "The
dancers are running sequentially headlong into the wall. The first
person is held up by the pressure of the second body. The third
guy has to grab the top of the wall across the width of the two
bodies. The moment I shot is when the outside man, Ned, just lets
go from the wall." |
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Agent
Orange: Collateral Damage in Vietnam,
Philip Jone Griffiths
2003, Trolley
11.7" x 9", 174 pp.
List price: $39.95 |
"Philip
Jones Griffiths, for a record five years the President of Magnum
Photos, created in Vietnam, Inc. a record of the war
there of almost Biblical proportions. No one who has seen it will
forget its haunting images. In Agent Orange he has added
a postscript that is equally memorable.
In 1960 the
United States war machine concluded that an efficient deterrent
to the enemy troops and civilians would be the devastation of
the crops and forestry that afforded them both succour and cover
for their operations. Initial descriptions of the scheme included
"Food Denial Program", later adapted to "depriving
cover for enemy troops". They gave the idea the name "Operation
Hades", but were advised that "Operation Ranch Hand"
was a more suitable cognomen for PR purposes.
The US had
developed herbicides for the task. The most infamous became known
as Agent Orange after the coloured stripe on the canisters used
to distribute it. The planes that carried the canisters had 'only
we can prevent forests!' as a logo on their fuselages. They were
right. It was very effective.
Unfortunately
the herbicide also contained Dioxin, probably the world's deadliest
poison. In Agent Orange Philip Jones Griffiths has photographed
the children and grandchildren of the farmers whose faces were
lifted to the gentle rain of the poison cloud.
Some maintain
that the connection between the maimed subjects of Griffiths'
photographs and the exposure to Agent Orange is not scientifically
established. However, the compensation payments made by the herbicide
manufactures to those Americans sprayed in Viet Nam refute this
assertion.
Historians
will find it sufficient to say that there will always be collateral
damage, that useful PR phrase, in war and that Philip Jones Griffiths
should understand the consequences of martial endeavours. He most
certainly does. He has catalogued here a pitiless series of photographs,
and there can be no doubt that they should and will be recognized." |
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Shaolin,
Temple of Zen
Justin Guariglia
2007, Aperture
9 ¾"
x 10¾", 144 pp
List price: $40.00
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For the first time in history, the notoriously
guarded warrior monks of the 1500-year-old Shaolin Temple-a Chinese
Buddhist sect dedicated to preserving a form of kung fu known as
the 'vehicle of Zen'-have allowed their secretive society to be
documented. More about this book » |
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Andres
Gursky
2008, Hatje Cantz
128 pp
List price: $55.00
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This publication surveys the artist's most recent
creations, on display at the renowned Kunstmuseum Basel throughout
the winter of 2007/2008. Two new groups of works in particular,
one on Formula One races and the other on the famous Arirang Festival
(a closely-choreographed mass spectacle in North Korea's capital
of Pyongyang), are gathered here.
More about this book
»
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Andreas
Gursky: Photographs from 1984 - the Present,
Andreas Gursky
2001, te Neues Publishing Compnay
12.10" x 13.73", 132 pgs.
List price: $75.00 |
"The
first substantial monograph of Andreas Gursky’s work since
1984 this series of large-format color photographs depicts vast
panoramic scenes: entire cityscapes, endless horizons, multi-floored
office buildings, huge factory corridors and crowded public spaces.
Taken from a distance, often with a bird’s eye view, they
represent more than a set of photographs of various locations—rather
Gursky’s work reflects both the art forms and the everyday
aesthetics of 20th-century society. Many photographs are allegories,
offering a cultural critique of man’s role in nature, technology,
art and society. Other resemble abstract paintings, in which Gursky
applies a number of formal elements, such as light, composition
and form, to convey a mood or subtle message. In their size and
scope, in their reflective mood and social commentary, and in their
many layers of meaning and interpretation, these exquisitely reproduced
portraits of interior and exterior spaces display the qua! lities
that have made Andreas Gursky one of the most respected landscape
photographers of his generation." |
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Andreas
Gursky,
Andreas Gursky
2002, Museum of Modern Art
12.20" x 13.54", 196 pgs.
List price: $65.00 |
Essay by Peter
Galassi, Foreword by Glenn D. Lowry
"The big, bold, seductive, and surprising color photographs
of German photographer Andreas Gursky set forth a stunning image
of our contemporary world of high-tech industry, international markets,
big-time sports, fast-paced tourism, and slick commerce. Tracking
the zeitgeist from his native Germany to such far-flung places as
Hong Kong, Brasilia, Cairo, New York, Shanghai, Stockholm, Tokyo,
Paris, Singapore, and Los Angeles, Gursky has earned acclaim at
the leading edge of contemporary art with a polished signature style
that draws upon a great diversity of ideas, precedents, and techniques.
Created in collaboration with the artist, this oversize book surveys
the fullness of his work to date with gorgeous colorplates, generous
two-page details, and a wealth of supporting illustrations. The
first in-depth study in English of Gursky's art, this book was published
in conjunction with a major retrospective at The Museum of Modern
Art, New York." |
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Gallagher
Ganis
Geesaman
Giacomelli
Gibson
Gilpin
Goicolea
Goldin
Goldbeck
Goldblatt
Gowin
Graham
Grames
Green
Greenfield
Griffiths
Guariglia
Gursky
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