TUSCANY
Wandering the Back Roads
Volume II
Michael A. Smith
Hardbound,
9.6 " x 20" 128 pages
59 black-and-white illustrations
2004, Lodima Press
Essay by Robert Sobieszek
Foreword by Ferenc Máté
Preface by Paula Chamlee and Michael Smith
From the Publisher:
The land of Tuscany has nurtured and inspired artists for centuries.
In Tuscany: Wandering the Back Roads, Volume
I, by Paula Chamlee, and Volume II, by Michael A. Smith, the
glorious tradition continues and is even enhanced in their deeply
personal and beautiful photographs of one of the most alluring
and romantic places in the world.
In the spring of 1999 and 2000, and
in the fall of 2001, the photographers Michael A. Smith and Paula
Chamlee shipped their old Land Rover to Europe, after configuring
it to accommodate their large-format camera equipment and camping
gear. They then drove to Italy, where they traveled together,
yet worked separately while exploring the landscape and the small
towns and villages of Tuscany—each recording their own visual
responses to a land they had come to love.
During their travels and adventures,
Smith and Chamlee photographed from the quarries in the Carrara
region in the north to the old Etruscan towns in the south, and
from the Val di Chiana and Cortona in the east to the Island of
Elba off the coast to the west. Their photographs, full of warmth
and life, yet demanding in their complex visual elements, are
the culmination of those three extensive trips. Selections from
each of the photographers are here collected in this extraordinary
two-volume set of books.
Chamlee’s 8 x 10, 5 x 7, and
4 x 5-inch photographs are presented in Volume I, along with an
essay by the noted Curator of Photography, Robert Sobieszek, a
foreword by the well-known writer, Ferenc Máté,
and a preface by the photographers. Volume II is a long-format
book and contains Smith’s 8 x 20-inch photographs.
To insure the exacting standards
that are a hallmark of Lodima Press, every detail in the production
of these exquisite books was supervised by the photographers.
The reproductions of the photographs, in 600-line screen quadtone
and printed on heavy coated stock by Salto2 in Belgium, achieve
unmatched fidelity to the original prints. Sturdy French-fold
dust jackets protect and complete the elegant production of these
fine books.
About the Authors:
Michael A. Smith’s photographs have been
exhibited widely and are in the permanent collections of over
100 museums worldwide, including the Metropolitan Museum of Art
and the Museum of Modern Art, New York, the Art Institute of Chicago,
the Bibliothèque Nationale, Paris, the Victoria and Albert
Museum, London, and the Museum of Modern Art, Kyoto. Smith has
received numerous grants and awards as well as commissions to
photograph American cities. His first book, Landscapes 1975–1979,
was awarded Le Grand Prix du Livre at the International
Festival of Photography in Arles, France. His next book, Michael
A. Smith: A Visual Journey—Photographs from Twenty-Five
Years, was published in 1992 on the occasion of his twenty-five
year retrospective exhibition at the International Museum of Photography
at George Eastman House. His third book, The Students of Deep
Springs College, was published in 2000. He lives in the country
in Bucks County, Pennsylvania with his wife, the photographer
Paula Chamlee.
Robert A. Sobieszek
is Curator of Photography and Deputy Director of the Los Angeles
County Museum of Art. Before joining LACMA in 1990, he served
in various curatorial positions and as Director of Photographic
Collections at the George Eastman House in Rochester, New York.
He has graduate degrees in art history from Stanford and Columbia
universities. He has published more than ten books and more than
fifty essays on the history and art of photography. His most recent
book was Ghost in the Shell: Photography and the Human Soul (MIT
Press, 1999). He lives with his wife, Sarah Lee, in Los Angeles.
Ferenc Máté
is the author of The Hills of Tuscany as well as 10 other
titles. He lives with his wife and son in an old farmhouse in
Tuscany.
The Special Limited Edition
Each Special Limited Edition is signed, numbered, custom-bound,
and slipcased, and comes with your choice of any photograph in
the book (unlike other publishers’ special editions where
your choices are limited to, at most, a small number of pre-determined
images). All photographs are original gelatin silver chloride
contact prints, printed by the photographers, signed and numbered,
archivally processed, mounted, and overmatted. Since the photog
raphers’ prints from Tuscany currently sell for $1,000,
the Special Limited Edition pre-publication price represents an
exceptional value.
Limited to 250 copies, $2,250.00
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