TUSCANY:
Wandering the Back Roads
Volume I
Paula Chamlee
Hardbound,
9.6" x 11.5" 160 pages
70 black-and-white illustrations
2004, Lodima Press
Essay by Robert Sobieszek
Foreword by Ferenc Máté
Preface by Paula Chamlee and Michael Smith
From the Publisher:
The land of Tuscany has nurtured and inspired artists for centuries.
In Tuscany: Wandering the Back Roads, Volume I, by Paula
Chamlee, and Volume II, by Michael
A. Smith, the glorious tradition continues and is even enhanced
in their deeply personal and beautiful photographs of one of the
most alluring and romantic places in the world.
In the spring of 1999 and 2000, and
in the fall of 2001, the photographers Michael A. Smith and Paula
Chamlee shipped their old Land Rover to Europe, after configuring
it to accommodate their large-format camera equipment and camping
gear. They then drove to Italy, where they traveled together,
yet worked separately while exploring the landscape and the small
towns and villages of Tuscany—each recording their own visual
responses to a land they had come to love.
During their travels and adventures,
Smith and Chamlee photographed from the quarries in the Carrara
region in the north to the old Etruscan towns in the south, and
from the Val di Chiana and Cortona in the east to the Island of
Elba off the coast to the west. Their photographs, full of warmth
and life, yet demanding in their complex visual elements, are
the culmination of those three extensive trips. Selections from
each of the photographers are here collected in this extraordinary
two-volume set of books.
Chamlee’s 8 x 10, 5 x 7, and
4 x 5-inch photographs are presented in Volume I, along with an
essay by the noted Curator of Photography, Robert Sobieszek, a
foreword by the well-known writer, Ferenc Máté,
and a preface by the photographers. Volume II is a long-format
book and contains Smith’s 8 x 20-inch photographs.
To insure the exacting standards
that are a hallmark of Lodima Press, every detail in the production
of these exquisite books was supervised by the photographers.
The reproductions of the photographs, in 600-line screen quadtone
and printed on heavy coated stock by Salto2 in Belgium, achieve
unmatched fidelity to the original prints. Sturdy French-fold
dust jackets protect and complete the elegant production of these
fine books.
About the Authors:
Paula Chamlee has traveled extensively throughout
the United States, Canada, and Europe making her photographs.
She has been the recipient of numerous grants and awards, and
her photographs have been widely exhibited in both solo and group
exhibitions. Her photographs are in over a score of museum collections,
including those of the Library of Congress, Los Angeles County
Museum of Art, Museum of Fine Arts, Houston, and the Harry Ransom
Humanities Research Center at the University of Texas (Austin),
and in numerous private collections in the United States and abroad.
Her monographs include Natural Connections: Photographs by Paula
Chamlee (1994), High Plains Farm (1996), and San
Francisco: Twenty Corner Markets and One in the Middle of the
Block (1997). Also published in 2004 is another book of her
photographs, Tuscany: Wandering the Back Roads, Volume
I of a two-volume set of books. She lives in the country in Bucks
County, Pennsylvania, with her husband, the photographer Michael
A. Smith.
Robert A. Sobieszek
is Curator of Photography and Deputy Director of the Los Angeles
County Museum of Art. Before joining LACMA in 1990, he served
in various curatorial positions and as Director of Photographic
Collections at the George Eastman House in Rochester, New York.
He has graduate degrees in art history from Stanford and Columbia
universities. He has published more than ten books and more than
fifty essays on the history and art of photography. His most recent
book was Ghost in the Shell: Photography and the Human Soul (MIT
Press, 1999). He lives with his wife, Sarah Lee, in Los Angeles.
Ferenc Máté
is the author of The Hills of Tuscany as well as 10 other
titles. He lives with his wife and son in an old farmhouse in
Tuscany.
The Special Limited Edition
Each Special Limited Edition is signed, numbered, custom-bound,
and slipcased, and comes with your choice of any photograph in
the book (unlike other publishers’ special editions where
your choices are limited to, at most, a small number of pre-determined
images). All photographs are original gelatin silver chloride
contact prints, printed by the photographers, signed and numbered,
archivally processed, mounted, and overmatted. Since the photog
raphers’ prints from Tuscany currently sell for $1,000,
the Special Limited Edition pre-publication price represents an
exceptional value.
Limited to 250 copies, $1,250.00
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