MADONNINA
Paula Chamlee
Hardbound,
10 " x 9" 96 pages
50 black-and-white illustrations
2004, Lodima Press
Forward by Steven Maklansky
Essay by Giuliana Bianchi Caleri
From the Publisher:
While photographing throughout Tuscany
in 2000 and 2001, Paula Chamlee found herself drawn to the great
beauty, variety, and extraordinary craftsmanship of the Madonnina
shrines that can be found everywhere in Tuscany. Throughout the
countryside and in towns and villages, these lovingly crafted
personal shrines to the Virgin Mary bear witness to a deep-seated
and popular faith in the Holy Virgin and the humanity she embodies.
With a tradition dating back to antiquity, these cultural and
religious objects continue to be created even today as protection
for personal property, homes and their inhabitants. Whether sophisticated
or primitive in design, the shrines represent a spirit of devotion
expressed quietly and simply. They hold profound significance
for a great number of the Italian people.
Although they can easily be overlooked
by the casual traveler, these small shrines are readily found
along roadsides, among fields, at intersections and property lines,
set in the walls of houses and barns, and even in the woods as
well as other unusual locations. Chamlee discovered one in the
midst of a marble quarry beside a busy pathway cleared for giant
marble-moving machines.
Paula Chamlee’s sensitive portrayal
of Le Madonnine in their variety and beauty are complemented by
an informative essay by the Italian scholar Giuliana Bianchi Caleri,
who writes about the history and tradition of the Madonna shrines
in Italy. In a foreword, photography curator Steven Maklansky
draws insightful connections between photography, religion, and
Chamlee’s intimate visual records of one of the most widely
recognized of all religious icons.
The superb reproductions of the photographs,
in 600-line screen quadtone, printed on heavy cover stock, are
at the limits of what is technically possible in photographic
reproduction.
About the Authors:
Paula Chamlee has traveled extensively throughout
the United States, Canada, and Europe making her photographs.
She has been the recipient of numerous grants and awards, and
her photographs have been widely exhibited in both solo and group
exhibitions. Her photographs are in over a score of museum collections,
including those of the Library of Congress, Los Angeles County
Museum of Art, Museum of Fine Arts, Houston, and the Harry Ransom
Humanities Research Center at the University of Texas (Austin),
and in numerous private collections in the United States and abroad.
Her monographs include Natural Connections: Photographs by Paula
Chamlee (1994), High Plains Farm (1996), and San
Francisco: Twenty Corner Markets and One in the Middle of the
Block (1997). Also published in 2004 is another book of her
photographs, Tuscany: Wandering the Back Roads, Volume
I of a two-volume set of books. She lives in the country in Bucks
County, Pennsylvania, with her husband, the photographer Michael
A. Smith.
Giuliana Bianchi Caleri
was born in Cortona, Italy, where she lives today. Having obtained
her degree from the University of Perugia, she taught literature
for many years, and currently serves as the director of the High
School system "Berrettini-Pancrazi." Her historical
research on local culture led to publications in volumes such
as Parlando di Cortona (About Cortona) and La Val
d'Esse di Cortona (The Val d'Esse of Cortona). Her iconographical
research led to the publication by the Accademia Etrusca of the
volume I Tabernacoli di Cortona e del suo Territorio
(The Tabernacles of Cortona and its Territories).
Stephen Maklansky is Assistant Director
for Art and Curator of Photographs at the New Orleans Museum of
Art.
Special Limited Edition: $950
Pre-publication price: $500
Signed, numbered, slipcased and custom-bound, the
Special Limited Edition comes with your choice of any photograph
in the book for a price substantially less than a print alone
would cost. Since the prints from Madonnina currently
sell for $750, the Special Limited Edition pre-publication price
represents an exceptional value.
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