PRIMAL
IMAGES: 100 LUMEN PRINTS OF AMAZONIA FLORA
Jerry Burchfield
Hardbound
, 8.5" x 11", 144 pages
100 color lumen prints plus 17 color illustrations
and map
2004, Center for American Places, in association
with Laguna Wilderness Press
Foreword by Wade Davis
Introduction by Johnathan Green
With its fragile beauty and dark
power, the Amazon has fascinated people throughout the centuries.
Enthralled by its exotic and impenetrable mystery on his first
visit to the region in 1998, Jerry Burchfield sought to utilize
his skills as a photographer both to celebrate the Amazon’s
stunning beauty and also communicate his concern for its future.
Primal Images is the product of his passion, composed
of exquisite lumen prints created entirely without a camera or
lens.
To create his lumens, Burchfield placed plant
cuttings directly onto aged black-and-white photographic paper
that he secured to the deck of his Amazon boat. He then let the
beautifully chaotic interaction of sunlight, rain, temperature,
and each plant’s inherent moisture and chemistry, among
other factors, play out freely in prolonged exposures. The result
is an astonishing array of images--from the starkly representational
to pure abstractions of color, shape, and form--that powerfully
celebrate the rare and resplendent beauty of the world’s
largest tropical rain forest.
Burchfield’s photographic technique draws
on methods formulated during the origins of photography, beginning
with the shadowgrams of nineteenth-century pioneers William Henry
Fox Talbot and Anna Atkins and, more recently, twentieth-century
innovators Harry Callahan and Robert Heinecken. Yet Burchfield
adds a depth to the process that, as Wade Davis writes in his
foreword, “seeks to see beneath the surface of things to
the very inner worlds that shamans desire to know.”
“Jerry Burchfield’s images are a testament
to the respect in which he holds the natural world. There is a
reverence in these photograms that moves them beyond the decorative,
outside the scientific, and above the formal. Burchfield quietly
collaborates with the form and rhythms of the natural, celebrates
the authority and simplicity of his process, and respects the
products and demands of time. His images reflect an artmaking
sensibility more attuned to discoveries than to dictates.”--Tim
Wride, associate curator of photography, Los Angeles County Museum
of Art
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